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Before the dogs chain. , there are these two poems on facing pages, that both have fire in the title. and desperate, enough of the brutal and the border, enough of can you see me, can you hear me, enough. I could be both an I I think this poem, for me, is very much about learning to find a home and a sense of belonging in a world where being at peace is actually frowned upon. people could point to us with the arrows they make in their minds. Tippett: Right. Find more of her poems, along with our full collection of poetry films and readings from two decades of the show, at Experience Poetry. Tippett: You said a minute ago that the poetry has breath built into it, and you said also that, you have said: its meant to make us breathe. Limn: Yeah. Its a prose poem. Thats page 95. Just uncertainty is so hard on our bodies. Its still the elements. My familys all in California. Youre very young. The conversation of this hour always rises as an early experience that imprinted everything that came after at On Being. you look back and beg I also think aging is underrated. Find them at fetzer.org. And whats good for my body and my mental health. All of those things. And then what we find in the second poem is a kind of evolution. We read for sense. "Beauty isn't all about just nice loveliness, like," O'Donohue tells Tippett. When you open the page, theres already silence. Yet it is a deep truth in life as in science that each of us is shaped as much by the quality of the questions we are asking as by the answers we have it in us to give. And then what happened was the list that was in my head of poems I wasnt going to write became this poem. But in reality its home to so many different kind of wildlife. And so thats really a lot of how I was raised. And I hope, I dont think anybody here will mind. Amanda Ripley began her life as a journalist covering crime, disaster, and terrorism. Its the thing that keeps us alive. I feel like that between space, that liminal space, is a place where we were living for so long, and many of us still living in that between space of, How do I go into the world safely, and how do I move through the world with safety and care-take myself and care-take others. I dont expect you to have the page number memorized. So you get to have this experience with language that feels somewhat disjointed, and in that way almost feels like, Oh, this makes more sense as the language for our human experience than, lets say, a news report.. Before the divorce. Limn: Kind of true. We have never been exiled. We prioritize busyness. But if you look at even the letters we use in our the A actually was initially a drawing of an ox, and M was water. like water, elemental, and best when its humbled, by being seen. It began as "Speaking of Faith" in July 2003, and was renamed On Being in 2010. That its not my neighborhood, and they look beautiful. I am too used to nostalgia now, a sweet escape. You boiled it down. We keep forgetting about Antlia, Centaurus, But mostly were forgetting were dead stars too, my mouth is full, of dust and I wish to reclaim the rising, to lean in the spotlight of streetlight with you, toward. Its repeating words. I think there are things we all learned also. Where being at ease is not okay. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. So that even when youre talking about the natural world: we are of it not in it. We have been in the sun. In all kinds of lives, in all kinds of places, they are healers and social creatives. by even the ageless woods, the shortgrass plains, the Red River Gorge, the fistful of land left. But I love it. In the modern western world, vocation was equated with work. All right. Sometimes it sounds, sometimes its image, sometimes its a note from a friend with the word lover. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity . and enough of the pointing to the world, weary And the one Id love you to read is Not the Saddest Thing in the World. This is the one where I felt like theres subtlety to it, but you just named so much in there. I remember having this experience I was sort of very deeply alone during the early days of the pandemic when my husbands work brought him to another state. To be made whole Sometimes youre, and so much of its. And: advance invitations and news on all things On Being, of course. But its true. s wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. We want to do that where we live, and we want to do it walking alongside others.. Actually, thats in Bright Dead Things. July 4, 2022 9:00 am. A friend If you are here, you are likely already part of this. In generational time, they are stitching relationship across rupture. for all its gross tenderness, a joke told in a sunbeam, Just the title of this, I feel is such an invitation and not the kind of invitation that was being made. All came, and still comes, from the natural world. For me, I have pain, so Ive moved through the body in pain. Limn: Yeah. Krista Tippett has spent more than a decade exploring important questions of life, questions that often involve faith, science and spirituality on her popular radio program and podcast, "On Being." Theres how I stand in the lawn, thats one way. And if its weekly, theres a day of the week and you do it. Limn: Yeah. But I think theres so much in this poem thats about that idea that the thesis thats returned to the river. hoping our team wins. And one of them this is also on. And I remember sitting on my sofa where I spent an inordinate amount of time, and reading it. But let me say, I was taken is an independent nonprofit production of The On Being Project. And is it okay for me to spend time looking at this tree? should write, huge and round and awful. And there was an ease, I think, that living in the head-only world was kind of a poets dream on some level. And I think about that all the time. the truth is every song of this country Limn: Yeah, I was convinced. Tippett: A lot of them are in the On Being studio, they come in the mail. Image by Danyang Ma, All Rights Reserved. Before the koi were all eaten And you mentioned that when you wrote this, when was it that you wrote it? And this is about your childhood, right? recycling bin until you say, Man, we should really learn Tippett: I feel like it brings us back to wholeness somehow. And that between space was the only space that really made sense to me. Definitely. A season of big, new, beautiful On Being conversations is here. Tippett has interviewed guests ranging from poets to physicists, doctors to historians, artists to activists. What if we stood up with our synapses and flesh and said, No. So in The Carrying, there are these two poems on facing pages, that both have fire in the title. You will hear the voices of wise and graceful lives of former guests, and of listeners from far-flung places. and what I do not say is: I trust the world to come back. We just ask questions. is so bright and determined like a flame, to pick with whoever is in charge. I never go there very much anymore. of the mother and the child and the father and the child Yes I am. But I trust those moments. These full-body experiences of isolation and ungrieved losses and loneliness and fear and uncertainty. some new constellations. Enough of osseous and chickadee and sunflower. We touch each other. abundance? And I am so thrilled to have this conversation with Ada Limn to be part of our first season. We value the ancient power of storytelling, and we get that good stories require conflict, characters and scene. Now, somethings, breaking always on the skyline, falling over Maybe that speaks for itself. Youre never like, Oh, Im just done grieving. I mean, you can pretend you are, right, but we arent. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. Ive been reading Ada Limn for years, and was so happy when she was named the 24th Poet Laureate of the United States. writes the word lover in a note and Im strangely, excited for the word lover to come back. [laughs] Oh my. And then to do it on top of really global grief, that is a very kind of different work because then you think, Well, who am I to look at this flower? Winters icy hand at the back of all of us. Tippett: Thats so wonderful. My familys all in California. It sends us back to work with the raw materials of our lives, understanding that these are always the materials even of change at a cosmic or a societal level. I dont know why this, but this. And I remember reading it was Elizabeth Bishops One Art, and its a villanelle, so its got a very strict rhyme scheme. This is like a self-care poem. And theyre like, Oh, I didnt know that was a thing. [laughs]. Tippett: Maybe that speaks for itself. Because there are a lot of unhelpful things that have been told to me. So I love it when I feel like the conversations Im having start to be in conversation with each other. The Pause is our Saturday morning ritual of a newsletter. And I think its in that category. but witnessed. Only my head is for you. Or, Im suffering, or Right. If you think about it, its not a good, song. Supporting organizations and initiatives that uphold a sacred relationship with life on Earth. But each of us has callings, not merely to be professionals, but to be friends, neighbors, colleagues, family, citizens, lovers of the world. Thank you all for coming. [laughter] Sometimes its just staring out the window. And we were given to remember that civilization is built on something so tender as bodies breathing in proximity to other bodies. And then you go, Oh no, no, thats just recycling. So thats in the poem. And I think Id just like to end with a few more poems. I think thats very true. In fact, Krista interviewed the wise and wonderful Ocean Vuong right on the cusp of that turning, in March 2020, in a joyful and crowded room full of podcasters in Brooklyn. Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. But I do think youre a bit of a So the thing is, we have this phrase, old and wise. But the truth is that a lot of people just grow old, it doesnt necessarily come with it. to pick with whoever is in charge. Alice Parker is a wise and joyful thinker and writer on this truth, and has been a hero in the universe of choral music as a composer . Tippett: And also, I read somewhere that Sundays were a day that you were moving back and forth between your two homes, your parents divorced and everybody remarried. Yeah. "On Being," a weekly interview show about the mysteries of human existence, hosted by Krista Tippett, airs on nearly 400 public radio stations, with more than half a million weekly listeners . capture, capture, capture. us, still right now, a softness like a worn fabric of a nightshirt, and what I do not say is: I trust the world to come back. Limn: Not the Saddest Thing in the World, All day I feel some itchiness around No, to the rising tides. Ada Limn is the 24th Poet Laureate of the United States. [laughter] Were like, Ugh, I feel calmer.. Subscribe to the live your best life newsletter Sign up for the oprah.com live your best life newsletter Get more stories like this delivered to your inbox Get updates on your favorite . My body is for me. [audience laughter] And it really struck me that how much I was like, How do I move through this world? Remembering what it is to be a body, I think to be a woman who moves through the world with a body, who gets commented on the body. Limn: That you can be joyful and you can actually be really having a wonderful time. If youre having trouble writing or creating or whatever it is you make, when was the last time you just sat in silence with yourself and listened to what was happening? the pummeling of youth. On Being, which began on public radio, has been named a best podcast by The New York Times, The Wall Street Journal, The Guardian, the Webbys, iHeart Radio with more than 400 million downloads. no one has been writing the year lately. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. I do think I enjoy it. song. It wasnt functional in a way. by the crane. We are in the final weeks as On Being evolves to its next chapter in a world that is evolving, each of us changed in myriad ways weve only begun to process and fathom. This definitely speaks to that. I'm not often one for Schadenfreude, but I may have felt it a bit yesterday, when friend told me that they'd heard NPR announce that Krista Tippett 's "On Being" Show, which I've railed against for years, is finally ending its two-decade stint on NPR. Oh, definitely. in an endless cave, the song that says my bones I chose a couple of poems that you wrote again that kind of speak to this. The thesis is still the wind. The thesis is still a river. The thesis has never been exile., Yeah. I was like, Oh. Then I came downstairs and I was like, Lucas, Im never going to get to be Poet Laureate.. We were so focused on survival and illness and vaccines and bad news. And I think most poets are drawn to that because it feels like what were always trying to do is say something that cant always entirely be said, even in the poem, even in the completed poem. It is the world and the trees and the grasses and the birds looking back. Krista interviewed her in 2015, and it quickly became a much-loved show as her voice was just rising in common life. I am asking you to touch me. So how to get out? Yeah. Jen Bailey, and so many of you. And I think most poets are drawn to that because it feels like what were always trying to do is say something that cant always entirely be said, even in the poem, even in the completed poem. We can forget this. Tippett: You hosted this, The Slowdown podcast, this great poetry podcast for a while and. Henno Road, creek just below, And I kept thinking how I missed all my family, and I missed my father and his wife, and I missed my mother and stepfather. Replenishment and invigoration in your inbox. Yeah, Ive got a lot of feelings moving through me. Tippett: To be made whole/ by being not a witness,/ but witnessed. Can you say a little bit about that? I think I enjoy getting older. On Being with Krista Tippett. And enough so that actually, as I would always sort of interrogate her about her beliefs and, Do you think this, do you think that? its like staring into an original Join our weekly ritual of a newsletter, The Pause, delivered to your inbox every Saturday morning. And Im sure it does for many of you, where you start to think about a phrase or a word comes to you and youre like, Is that a word? Youre like, With. I have your books, and theres some, too. It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limns publisher, Milkweed Editions. Wisdom Practices and Digital Retreats (Coming in 2023). And so I have Becoming whole, she teaches, is not about eradicating our wounds and weaknesses; rather, the way we deal with losses, large and small, shapes our capacity to be present to all of our experiences. So I think were going to just have a lot of poetry tonight. In fact, Krista interviewed the wise and wonderful Ocean Vuong right on the cusp of that turning, in March 2020, in a joyful and crowded room full of podcasters in Brooklyn. creeks, two highways, two stepparents Why are all these blank spaces? It has silence built all around it. And I found it really useful, a really useful tool to go back in and start to think about what was just no longer true, or maybe had never been true. And also, I read somewhere that Sundays were a day that you were moving back and forth between your two homes, your parents divorced and everybody remarried. by being not a witness, Limn: Yeah. The On Being Project is located on Dakota land. , the galley in the mail from Milkweed. And its continual and that it hits you sometimes. and isnt that enough? But in the present era of tribalism, it feels like weve reached our collective limitations Again and again, we have escalated the conflict and snuffed the complexity out of the conversation.. The original idea, when we say like our, thesis statement, or even when we say like. And also that notion and these are other things you said that poetry recognizes our wholeness. Centuries of pleasure before us and after Our lovely theme music is provided and composed by Zo Keating. And now we have watched it in these 25 years go from strength, to strength, to strength. Perhaps, has an unsung third stanza, something brutal, snaking underneath us as we absentmindly sing, the high notes with a beer sloshing in the stands, hoping our team wins. And were at a new place, but we have to carry and process that. Once it has been witnessed These are heavier, page 86 and page 87. The fear response, the stress response, it had so many other kinds of ripple effects that were so perplexing. And its funny to tell people that youre raised an atheist because theyre like, Really? But I was. Learn more at kalliopeia.org. For me, I have pain, so Ive moved through the body in pain. And its true. Which makes me laugh, in an oblivion-is-coming sort of way. red glare and then there are the bombs. Poems all come to me differently. So I think there was a lot of, not only was it music, but then it was music in Spanish. And so, its so hard to speak of, to honor, to mark in this culture. The next-generation marine biologist Ayana Elizabeth Johnson would let that reality of belonging show us the way forward. And sometimes when youre going through it, you can kind of see the mono-crop of vineyards that its become. I am too used to nostalgia now, a sweet escape, of age. Shes written six books of poetry, most recently, won the National Book Critics Circle Award for Poetry, and her volume, . , and its a villanelle, so its got a very strict rhyme scheme. She is a former host of the poetry podcast, The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. Having start to be made whole/ by Being not a witness,:... 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